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Channel: the wild and wily ways of a brunette bombshell
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"There is no shame in being hungry for another person. There is no shame in wanting very much to share your life with somebody."

Augusten Burroughs



found. 

WHAT I'M EATING// shaved brussels sprouts

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SHAVED BRUSSELS SPROUTS
SHAVED BRUSSELS SPROUTS (as inspired by the menu at buvette)

There's a small French gastroteque in New York's West Village that I absolutely love. When two of my lovely, but non-residing-New-York-friends came to visit last week it was the first place I suggested. And it was again the local of choice this weekend when my dear friend Ashlea returned to the city after two months away on the Cape. (The food is delicious, the decor is endlessly inviting, and the attractive men behind the bar don't hurt).

They serve, among other things, a pesto dish that I am convinced tastes like a doughnut (a doughnut being the highest level of food perfection, in my book). But what I left thinking about this last time was their shaved brussels sprouts dish--mostly because I thought, you know, I bet I could make something like this (and I bet it would be quite healthy and inexpensive). 

Trader Joe's sells a bag of prepackaged shaved brussels sprouts that I cut up just a wee bit more. I then added parmesan cheese, toasted (always, always toasted--it brings out the flavor) pine nuts, and a bit of olive oil and sea salt.

That's it! Five ingredients.

(Note: pine nuts are as expensive as liquid gold so I suggest buying them in bulk at Costco, Sam's Club, or Trader Joe's. Buvette's dish uses walnuts as their nut of choice, so that's always an option). 

You, instead.

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For you,


This used to be easier, didn't it? I think it used to be easier. I'm pretty sure it was once-upon-a-time a little less hard.

I'm tired. I'm tired in that way that settles around the eyes and reveals just a little too much, a little too soon. Tired in that way that lacks imagination--that can't imagine anything changing, ever.

I've grown into my adult face. At some point between the majority of twenty-six and the last few months I got my adult face. I almost didn't notice, it's a really subtle change. My cheeks are so full (and yes,  I'm sure as I age I'll be ever-more-grateful for just how big they are) but they are ever-so-slightly-less-big, ever-so-slightly-less-full. The outline of my face is a little bit leaner, a little bit harder.

I went out with some girlfriends recently and we had one of those New York nights that's governed by nothing more than the overriding principle of what-the-hell. And so when two Croatian "aesthetic" surgeons (specializing in rhinoplasty) sat down next to us, we let them. And when they toppled a single glass of wine with little left, we allowed them to buy three more. And when they guessed our ages (accurately) I then demanded to know just how it was they knew I was two years older. And the one said, The lines on either side of your mouth are deeper.

He might have used more clinical, professional (accurate) terms, but I knew what he meant.

It became one of the jokes of the weekend--me and my deepening smile lines.

It did used to be easier.

I've run out of things to say. Or maybe just the courage to say them. Yes, maybe that's it. Maybe it's that I've forgotten what it felt like to do this--to write, to imagine, to leap into a future without small and unkind people saying small and unkind things--not the doctor, but the people who come and read these words and think me so terrible because of them.

I know this feeling will pass. And I know I'll get my courage back. And I know I'll figure out how to care a little less about the small cruelties of others. But today I do. And today it's hard.

The thing is, I like my deepening smile lines. I like my older, now adult face. And so maybe it does get harder, and maybe am I little more tired, but maybe those things are just products of reaching in the direction of the life I want.

Of which you are a part.

So forget the small and unkind and cruel naysayers, I'll take you instead.





Yours


MY NEW YORK//the green and red and golden glow of the holidays

THE BOLD YEAR// offswitch magazine, volume two

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I went to my first concert just over a year ago.


I had gotten tickets for my brother for Christmas and the plan was that I'd take the bus to Boston to visit and we'd go together.


I remember that Saturday night: our late dinner ordered in, the cold air blanketing the city, the feeling that i had not a single thing to wear--what does one wear to concerts? I finally settled on a black shift dress and my Frye motorbike boots. We entered the small venue--standing room only--and found a spot close to the stage. Connor got us drinks and then we waited, remarking mostly on how lucky we were to be tall (tall is good where no seats are concerned) and how we were not the usual hipster crowd (in a sea of beanies our heads went hatless).


We were there to see The Head and the Heart. 


Now, I can just imagine readers all over, nodding their heads, of course, of course, The Head and the Heart. But just over a year ago they were virtually unknown. Just over a year ago they were the opening band for someone else. And when we saw them, just over a year ago, no one knew the words to sing along--no one had heard of them. But their music was heaven. And so Connor and I stood there, drinks in hand, bobbing and swaying, as the music moved through and up, as the air was charged with the sound and the guttural need of those voices.


And that was it. I was sold. Hook line and sinker, or however the expression goes.


When I returned to New York I began buying up cheap tickets for fringe (I use that word very loosely) bands playing smaller venues. I saw Noah & the Whale at The Bowery Ballroom. Beirut at The Wellmont. The Lumineers at The Mercury Lounge. Slowly and surely over the course of the year I refined my taste in music and began to chart the city as i did so--venturing into downtown neighborhoods and once foreign boroughs--mapping city and self, unfurling New York and my place in it.

At some point it became very clear: I was made bold by a year of listening to live music.


But how or why i was made bold by this was still unknown--well, maybe not unknown, but certainly beyond words.


It was just about a week ago I went out with some girlfriends I hadn't seen in quite a while and I was explaining all of this and what bands I loved and why and what about their music made my weary heart thrum when my friend Vivienne took a deep breath and said, All of the music in my library was given to me by friends and ex-boyfriends--mostly ex-boyfriends.  


Ah, ex-boyfriends. I've come to realize that in every relationship I've ever had--first loves, half-loves, reluctant flirtations--music plays a part. The passing of the mix-tape might as well be a relationship marker. Music and men. To this day I can't listen to Nick Drake without feeling a sadness and longing for one Sunday in December in which I both lost and found the very best parts of myself on the couch of my first love. 


I'll never forget sitting on the floor of my first boyfriend's apartment. I was just out of high-school, new to New York and terrified by nearly everything. I sat on his floor surrounded by record sleeves and pictures of him and I was quite sure that I wasn't actually keen on him, but I had yet to really wake to that though. He picked up an Ella Fitzgerald album: Ella, she's the one, you know? She's my one. She's my music. She sings and it stirs something low in me. Something i hardly know how to place. 


Who's your ella? he looked right at me and asked. 


Who is your ella? 


Who is my ella?


I hardly knew what he was talking about. I don't know. I don't think i have an ella.


Oh man, i can't wait for the day you find yours. Finding it is the best part. 


Sometimes I wonder how often that question hung over me. How often I was aware of the presence and immediate need of that question.


It took six years, but I now know.


I figured it out this last year in dark and crowded concert halls amongst nearly perfect strangers.


I found my Ella in the sounds of the folk movement coming out of London and the Pacific Northwest. I found my Ella in the broken voices of Charlie Fink and Kristian Matsson. i found my Ella in the sublime dissonance--that perfect space between the Avett Brothers' voices.  In the ferocity and haunting vulnerability with which Laura Marling sings and Johnny Flynn plays the fiddle. I found my Ella in the lyrics which call upon Bukowski and Shakespeare and Hemingway for their piercing (and humblingly simple) wisdom.


I found my Ella. And in finding my Ella, I found myself.


And I did it all without a man.


My music library is made up of those songs that I love. Those songs that stir that low unknowable, unnamable part of myself. The songs that upon listening to I can't help but move and laugh and sway my hips, putting socks to wood floor. Those songs that grant, when I least expect it, a perfect, quiet moment, in which I stand just as still as I  can and cry--because someone else has given voice and melody to my great triumphs and deep tragedies--because someone else has unwrapped what I thought singular and secret.


And in those moments I am not alone. I am never lonely. I stand listening to the chant of the human experience. 



It's that knowing I'm not alone bit--that knowing that others have gone before and others will follow after--that vulnerability that makes for this human experience. That's what made me bold.

Well, that and the music. 

Getting in the Christmas Spirit...

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forgive how quiet i've been round these parts. just busy getting into the holiday spirit.

the fight.

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I don't have the luxury to think about you.

Not until the day you show up to fight for me--a day that I'm altogether, completely unsure will ever arrive--not until that day do I have the luxury to even think about you.

But should you choose to--to show up and to fight--then, then I willfight for you. With everything I have, I will fight. I will fight with a ferocity unmatched by any before me. I will fight with a ferocity that will absolutely unmoor you. Such is my strength and my will and my grit. Such is my ability to heft and to heave and to drag the heavens toward the earth.
That is how I will love you.
Should you ever gather the courage to ask.

But until then, until your question and until that-day-that-will-very-likley-never-come, I will go out into the world and search for someone else.
And my lips will forget your name.

WHAT I'M LISTENING TO// james vincent mcmorrow

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i have a feeling i'm a little bit late to this party, but you know what they say... better late than never. after listening to the song we don't eat on repeat for a week i finally gave some of his other songs a second listen. and thing is, it did take a second listen, but now i'm hooked. (particularly if i had a boat).

happy listening...








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"Do you want me to tell you something really subversive? Love is everything it's cracked up to be. That's why people are so cynical about it. It really is worth fighting for, being brave for, risking everything for. And the trouble is, if you don't risk anything, you risk everything."

Erica Jong




if you don't risk anything, you risk everything... i can't stop thinking about this notion.

the beauty in the stuck.

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i've been thinking good and hard lately about blogging.

about the start of this blog.

of when it began and why it began and all of the ands in between.

of how young i was and how sad i was.
of what it meant to be honest before i realized that words could be categorized as such: honest.
of what it was before any one read it, before any ex-boyfriend or future boyfriend or in-between-boyfriend could google my name and find all. of. it.

and if i reach really hard and really far into the cloudy and muggy memory of twenty-three, well...i think my thought then--or my impulse, rather--was to remember. to record. because i was so sure of change. because i knew things would change. and i'd want some sort of record of what had come before. and if i could see how i got from there to here, well then, it'd serve as a blueprint of sorts. for the future.

and at twenty-three it felt like the future was rushing towards me. a great-wave of everything to come. an ocean on the other side of a door.

the blog itself--the whole point of it--hinged upon the notion of change. that life would change. and i would change. and i within this life would thrive. eventually. even if it took time. even if it took failure upon failure upon absolute-fuck-up to get there.

and somewhere along the way, somewhere in the space of the last few years it started to feel as though nothing would change. ever.

and a feeling is a dangerously true thing. even when it's not.

and yes, yes, i know the one constant is change and i understand this on that intellectual level where information is processed.

but it feels like i'll be this age, at this job, riding the same train to the same station, forever. walking through a turnstile towards a position for which i am overeducated and overqualified and absolutely unable to leave because it pays. the. bills.

it was okay to be twenty-three and single and failing but fighting the good fight. it was okay to be twenty-three and writing about how most days i felt more like a disaster than anything else. and it was okay to be twenty-four and twenty-five and still all those things.

somehow though, it doesn't feel okay to be twenty-seven and in this place--stuck in this metaphorical rut. or, well, actual rut.

and so there's a little embarrassment. shame, even.

and it gets harder to write.

but then i think about writing and i think about the length of a story. and about how this one's just a little bit longer than others. and i wrap myself up in that notion and keep going. because you have to. you simply have to keep going.

you know, i still think about the A train. often, i do. about how much i hated it. about how dirty it was: the dim lighting, the putrid color of the seats. and i think about how all those years on the A train, made for my experience on the F. i love the F train. absolutely adore it. i forgive it for much and often. for when it gets stuck at York street, or Jay St-Metrotech. for how it sometimes inches between Bergen and Carroll.

it is not lost on me that i love the F so much precisely because i so deeply loathed the A.

when life begins to chug it will mean more for this period in which it seemed so very stuck.

change. good change. forward movement.

and when i finally meet the man i choose to spend my life with it will mean more for each and every suitcase i trudged home for christmas, alone. it will mean more for these ambiguous years in which i learned to do everything myself: installing the air conditioning and paying the bills and moving into a fourth-floor walk up without a man in sight. it will mean more for that one night when at two in the morning i had to crush the maggots beneath my bed, one by one.  more for the time when half-asleep i rose from bed to tether the roof's door to the stairwell with little more than yellow twine because the wind was banging into it in such a way i was sure the sky was falling.

it will all mean more for these years in which i got so good at maneuvering by myself that i began to wonder if i wasn't too far gone to make room for someone else.

change. it will come. like a thief in the night. taking and bringing both good and bad.

and i do want to remember. so i'm going to try a little bit harder to be that person who believes in the beauty of all that's yet to unfold. that person who sees the beauty in this time now. the beauty in the stuck and the shame and the trudge.




because i couldn't think of any one thing more necessary to share as we enter this new year.

2013.

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from Tiger Lily | Jodi Lynn Anderson




i love new year's resolutions. always have. always will. but as i've gotten older the manner in which i've constructed them has changed. gone are the days of lose ten pounds, cut out carbs, or become a totally new person by simply xy or z-ing. i prefer the resolutions to be small mantras that remind me of the person i am--and the person i want to be. 

this year in coming up with a few resolutions, i thought why not come up with one for the blog? a touchstone--a set of words to return to for when i felt like i was losing focus here. a north star by which to chart my course. 

the words above are not mine. they are on the inscription page of the book Tiger Lily by Jodi Lynn Anderson. but i wish they were mine. as a girl with messy hair and a thirsty heart they touch something deep in me--remind me of who i am and what i want from this life (which is very much the point of the blog). 


so for 2013 i will borrow better words and work in service of them.


so is for you're reading this now, if you ever have or ever might again, this is for the girls with the messy hair and thirsty hearts. 



here's to 2013.
xo

this new year.

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i was on the subway, one stop from home, when the clock struck twelve ushering in another year.

the train conductor announced it on the intercom and all of us sitting there--all of us who somehow found themselves on a train between stations when the ball dropped in times square, looked up and smiled.

it was such a perfect moment. it was such a perfect way to commemorate the end of one year and the start of the next--by just simply living it, a nod to thing as opposed to a full-throated shout. it felt so very  good and right and like the real new york, assuming of course there is a real new york, which i'm not tremendously sure there is.

can i admit something? i've sort of given up on the notion of new year's. there's something about the last days of december into the first few weeks of january that always makes me feel as though the world is flat and i've reached it's edge: a terrible and fearsome and two-dimensional precipice.

january is a lonely month. it just is. january is lonely and i within it am lonely. and to try to fight that loneliness by resolving and genie-blinking myself into a new year when the clock strikes twelve somehow feels wrong. existential crisis or some such.

i'm more of the-clock-turns-twelve-cinderalla-mentality. one shoe down.

i'm not interested in new year's. i'm interested in the rest of the year. i'm interested in getting the shoe back and the then-what.

but the announcement on the train's intercom was deeply comforting. and when i got off at carrol street not two minutes later and there were fireworks in the east and fireworks in the west--full on fourth-of-july-fireworks, i felt deeply eased. quite at peace. not so lonely.

so i went home and made myself nachos. with cheese and black beans. a natural choice for the year's first food, obviously.

when i saw my friend kim the next day she said, i went home last night and made myself mac-and-cheese.  

i made myself nachos! i replied, secretly delighted that both of our pallet's resembled that of an eight-year-old. but they had black beans on them, i continued. and seeing how black beans are dangerously close to black-eyed-peas i felt justified by the sheer proximity of the symbolism. 

what are you talking about? was all kim said.

black-eyed-peas? good luck? the new year? oh, is this a southern thing?

turns out it is. i know because i googled. and the image that the website ran with was a heaping pile of black-eyed-peas on the very dishware that populates my mother's cabinets.

there are moments i am keenly aware that i am from somewhere else. and let me be clear that the south--and texas are most especially somewhere-else. and i say that now with the deepest affection.

just the other day a man looked right at me and said you're not from here are you? you're a southern girl. he didn't know me but for a moment and he himself wasn't from new york or california or any state in between (i think he was welsh), but it was one of the nicest things anyone has ever said to me.

it's taken me a long time to own my texan roots. but i'm starting to realize that anything of worth takes a good long time.

i may not buy into the new year's in the way that i used to--no more lose 10 lbs or best-year-of-my-life  resolutions. but i resolve quite a bit. and so i resolve that this year i will continue the good fight for those things of value. i will take bigger risks and own with a clearer voice my southern eccentricities and texan charm. i will live my life and trust that the other shoe will find me. because when cinderalla gets that glass slipper back, well, that's when the real adventure begins. that's the bit i'm most interested in.

alright new year, let's dance.








i own jeans now. (in more than one color, even).

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before beginning:
this is a continuation.
of a story. about my nasty, 
little eating disorder.
check the sidebar
{FOOD AND HEALTH}
for the whole grizzly saga.




i've been thinking about how i wrote this post nearly three years ago. four years without owning a pair of jeans. which was really five. or six.

and then after that, came this.

jeans and pants: the eating disorder's worst fear and largest enemy.

so here's what i want to say:

i have one pair of boot-cut-jeans that i've owned since my second year of college (they've now reached vintage-esque status). i occasionally pull them out because they fit now and they really do look damn fine with cowboy boots.

i have a plum pair of skinny-jeans (cotton pants) from ny&co that always makes me feel more petite than i actually am (i like to wear them on dates). i have the same jeans (pants) in bright blue and while they aren't as forgiving, i've never wore anything more then i wore them last spring.

when i visited home last August i got two pairs of classic jeans. one was a twelve dollar pair from the banana repulic outlet store and they may very well be my favorite pair of pants (jeans) ever.

i own black corduroy pants. and gray ones too. i love them. (black corduroy pants can be worn with anything and dressed up or down--i can recommend nothing more).

i even have like three black stretchy exercise pants that cling to the curve of my but. and somedays i love them. and somedays i don't. but i have them. and i wear them. (in public, even).

i don't say all this to brag. to parade out a laundry list of pants so you can see just how many i have. (in my defense, i 1. never throw anything away and 2. am making up for a lot of lost time {four or five or six years}).

it's to say this: it gets better. life continues on and it gets better--and sometimes you have to fight for it to get better and sometimes you just have to wait for it to, and it's not always easy to know the difference, but there is one.

i went about six years without wearing pants. so deeply did i loathe my thighs and wide hips and large bottom.

and now i hardly wear anything else.

and the move from no-pants to pants was brought to you by relatively normal eating. no diet. no restriction. no ban on hamburgers or doughnuts or twizzlers. it was the product of exercise and vegetables and experimentation and a hell of a lot of patience.

honestly, it was the product of saying, my worth is not tied to how i look it jeans. i am worthy. period. and so i'll wear pants if i damn well want to.

i will choose to feed my body because i love it. i will not starve it into submission or starve it in pursuit of an industry's narrow-minded beauty ideal.

so at the start of the new year when we're all inundated by diet ads and weight-loss programs, i thought i'd offer up this little testimonial instead. just something to chew on.


(oh! and i did it by drinking as many lattes as i wanted. because i love them. and find them deeply comforting. and they bring a certain sort of happiness that i never want to deny myself). so there. 




MY NEW YORK | lights and wreaths and life in this new year


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"I think we all speak a different kind of language than each other, but you sound a whole lot like coffee on a Sunday morning and the rain is falling bitter against the windowpane and your elbows are making holes in the countertops, and I only want to tell you that I wish I was as close as the threads of your t-shirt, and if I can't be that, then I'll be content with drinking my drink beside you, with the rain sloppy open mouth kissing the roof, trying to dismantle the etymology of a conversation that falls out of the realm of words."

Shinji Moon | He Loves the Rain

ROUND THESE PARTS.

the mystery of faith.

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the mystery of faith.

that was the phrase i took away from christmas eve mass this year.

the mystery of faith.

the priest uttered those four words in the sliver of a silence.

i don't know what came before and i'm not terribly sure what followed. it was almost an after-thought, four words he said for himself. a small pause before he moved across the dais.

and yet, while their utterance was a soft and quiet event, the whole of my body heard them.

the mystery of faith. 

faith being murky territory. dark and difficult and absolutely revelatory. faith being a thing that is not absolute. that cannot be divided into halves. that cannot be traced linearly or made sense of logically. faith being the thing that leads to the light.

the mystery of faith. a leap. and another. and more after. perfect in its absolute imperfection.

but there was something else too. one other phrase hidden in a popular song--one other phrase that i myself must have sung countless times before that night. how silently, how silently the wondrous Gift is giv'n. perfect words sandwiched in the popular ditty oh little town of bethlehem. 

how silently, how silently the wondrous Gift is giv'n.

how God entered the world, how he sent his only son, how the very thing that split time in two--into a before and an after--how silently it entered the world--how absolutely, unequivocally important it was that it needed not to enter with a bang and flash, but with the small cry of a child, born to a mother and a father, in a manger outside of an inn that was just too full.

how silently the wondrous Gift is giv'n.

the mystery of faith.

my family and i have been attending christmas eve mass at my brother's high school since his freshman year. by my count that's something like seventeen years.

seventeen years, a staggering number. mostly because it only feels like five, and where the hell has all that time gone?

thing is, after all those years--those seventeen years--i still know only a handful of my brother's friends, a handful of their parents. i go each year as a sister and as a daughter--as a peripheral character in the story. and from there i have the inestimable privilege of seeing and watching and listening. from the vantage point of the-mostly-anonymous-observer (otherwise known as the-little-sister) comes a remarkable clarity.

however,this was the year several of the mothers all asked the same thing: are you seeing anyone? no, i replied, the lips i had painted a dark red just hours before twisting in a small smile, no i'm not seeing anyone right now, i say to each mother who asks.

eduardo, a friend of my brother, his mother gives me a response in spanish. when i ask what it means, she asks her son david to translate. he can't turn the idiom into exact english so she calls over eduardo. well, he says, pausing, it's not exact, but it basically means, when you stop looking it will come. 

i laugh gently, turn to this woman who has over the course of those seventeen staggering years seen me grow and mature spin into womanhood, yes, yes, we have that expression in english too.

when you stop looking... when you least expect it...

the mystery of faith. how silently the wondrous gift is giv'n. 

i call home often. my mother complains that i'm always complaining. and she's right. often, i am. she worries that i'm sad. i try to explain to her: i haven't found the person yet, mom. so you're my phone call. i don't yet have someone to tell these things to, so you're it. 

about a month ago i ran into a man on the subway platform. eight years of living in the same city and we'd never before crossed paths without meaning to. this was a man i loved. the man i loved. the man i loved in the only way i knew how for far longer than was appropriate or permissible or able to be gossiped about with my girlfriends. but he didn't love me back. at least, not in any way that made me feel anything other than as though i was slowly losing my mind.

and then about a month ago, in sleepy carroll gardens, there he was, both of us on the same train platform.

when you least expect it.

it was a sad thing. the two of us meeting more as strangers than anything else. the broken and fractured conversation. the two minutes of which i can say nothing other than that a sort of panic took hold and i wasn't terribly kind. but in trying to explain it later--in trying to explain the immediacy of the sadness, i said to a friend, the thing is, when this day ends, i don't have the person to go home to and say, hey, you know i love you right? well, once upon a time, i loved someone else. and just for one moment i need to tell you about it.

instead i called my mother. and she listened without really hearing, because she can't bear to hear the story of the man who broke her daughter's heart.

my mom was twenty-two when she met my father. at the age i am now she was a year away from marrying him.

my mom never knew single at twenty-three. and she never knew it at twenty-four or twenty-five or twenty-six. she never knew single at twenty-seven, which is where i am now. so i call her and she listens and she worries that i'm sad and she tells me to be patient and to stop looking (or to look harder, depending on the day). but she doesn't get it. because she was never single at twenty-seven.

and the space between us grows. and it is a brand of hard that is new and unforgiving and tremendously persistent.

i've got five years on her twenty-seven-year-old-self--five years of calling home instead of...someone else.

the mystery of faith. 

i call home now and tell my parents that i am lonely--because loneliness is, as it turns out, a thing--and what they hear is that i'm sad. and i understand this. i understand their confusion of the two things and their inevitable worry. i know it is because they are parents who watched helplessly, from the outside, as their child lived through a major depressive disorder. and i imagine, with relative certainty, that it was far worse for them then for me.

the people who live through that with you always worry that a little blue, a little low, a little lonely, is the beginning of a very long and very slippery slope. and i understand the fear because it was like drowning. it was like a constant and persistent and impossible filling of the lungs with heavy water. but you know how i got over it? i learned to swim. and once you figure out how to swim, you always know how to swim--and so that particular ocean holds no fear.

depression does not scare me. but it'd be nice if the man who lands on the other end of that phone call doesn't worry about it in the same way my parents do.

everyone has an opinion. all these people smiling from the shores of long relationships, telling you to take counsel with yourself. to which i want to say that that counsel cannot help me put the icy-hot patch on that one particular region of my back that i cannot reach. and it won't stand in line at trader joe's while i do the shopping because that's how far the line is reaching and wrapping. that counsel won't lie next to me night after night, a warm presence. it will not kiss me. it will not place it's palm against my neck, tucking my hair behind my ears.

loneliness is murky territory.

the mystery of faith. 

i want the silent-sort-of-love. the love that is so absolutely, unequivocally important that it needs not enter with a bang and flash, but by slipping into the cracks of an everyday life.

faith is what gets us to love. that revelation--that absolute pure light at the end of all that murk--that is love. and so faith is the journey. it is the life. it is the day after day. and it can be a tremendously lonely thing. because it sometimes unclear and sometimes unfair and footing is often lost.

and the mystery of faith is a road that is traveled alone.

but when the dark gives way to the light, well...

how silently the wondrous Gift is giv'n. 







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i'm in a play!

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i've been holding out on you all. i'm doing a play downtown...which translates to some very off-off broadway theatre. but we're having a good time and i've been reminded what a vibrant theatre community new york has to offer. people are making work here wherever they can...in homes, and small rooms, and small and charming theaters.

so should you be interested...

there's this + get your tickets here.

we play for the next two weekends...Thursday @8, Friday @8, Saturday @8 and Sunday @7
bonus: it's a short play and in a great part of town so you know...come and take me out for a drink after.

**we don't always have music before the show, but last sunday the band Roosevelt Dime brought the house down** 




chugging along...

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PRIME MEATS BARPRIME MEATSPRIME MEATS MENUA LOW-HEELED-BOOT

some days i feel like i've done so very little. like i'm so far behind. and then i find myself in a neighborhood food haunt. and i look to my right at a girlfriend so good and kind that i think many must spend the whole of their life in search of such a good friend. and i look to my left, out the window, at a neighborhood for which i still swoon each time i get off the subway--a neighborhood i so deliciously and fortuitously get to call home. and then i look at the menu before me. and as i peruse the items, deciding what i want, not once--not even once, i say!--does the thought of calories or fat or any such nonsense enter into the-what-to-eat-for-lunch-decison-making-process. 

and all this happens with me in a pair of corduroy pants--that thing alone being a measure of much, much progress

and all these things add up in such a way that i think well, hell, i'm surely chugging along. slower than some, but i'm just getting started.





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