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Channel: the wild and wily ways of a brunette bombshell
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Green-Wood in shades of white and blue.

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monoliths (1 of 1)
postcard  (1 of 1)
sunflare (1 of 1)
arch (1 of 1)
manhattan in the distance (1 of 1)

When I lived way up north in Manhattan visiting Fort Tryon Park after a snowstorm was one of my absolute favorite things to do. This go round, knowing that Fort Tryon was on the other end of a subway ride I didn't want to take, I thought, what is the Brooklyn equivalent? Where can I go that the snow will still be untouched and lovely and the world, draped in all that white, will breathe differently?

So off to Green-Wood Cemetery I trudged. And catching it as the blue hour fell was quite the sight for my weary eyes.





and...



WHERE TO EAT IN NYC | brunch at buttermilk channel

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It took me a long time to come to terms with the fact that BRUNCH IS A THING here in New York. I've never been a big breakfast food person, so I was slow to the party. But after nine years here (oh, my, good. lord) I came round. And now I'm finally coming to terms with the fact that I mostly always want the sweet stuff--french toast, pancakes, and the like--and if that's what I really want, then I should just go ahead and get it. 

Buttermilk Channel is one of my absolute favorite places to go. I've gone more times than I should probably admit. It's a go-to for everything from dates to my mother visiting town. When I'm there for dinner I am helpless against the charms of the cheese plate, the jalepeno cornbread, and the ribs. 

This snow-bound weekend I gave their brunch a go...and oh.my.it.was.just... so good. 
I got the pecan pie french toast with a side of sausage (balancing savory and sweet is the first rule of brunch) and then dipped in several times to the eggs across the table. 

This is all to say...when in New York (well, Brooklyn, actually) and out to brunch, Buttermilk Channel may just be my new favorite place. ever. Ever, ever. 


instagram.

more food ideas...
WHERE TO EAT IN NYC







...

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"Her sentences were icebergs, with just the tip of her thought coming out of her mouth, and the rest kept up in her head, which I was starting to think was more and more beautiful the longer I looked at her."

Gregory Galloway | As Simple as Snow

on heartache.

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I remember walking around the Met as things with the-last-man-I-really-cared-about were unraveling. Surrounded my such immense history and such immeasurable beauty and there was but one thought:

There is a great, gaping hole in the middle of my chest. 

Someone asked me about heartbreak recently--about how to get over it? And it's not the first time someone has asked this question so I started thinking about it and found I couldn't stop. I thought about it on the subway and in the shower and at work. And I thought about it as I listened to Elliot Smith.

I'm damaged bad at best.

Five words in a song. Five small and true words.

I am in a debt to Elliot Smith for those five words and that perfect truth.

I'm damaged bad at best.

I think about those words now as I meet men for the first time. First dates in which we sit at a bar and sip wine and I wonder just how quickly they will see my sadness.

I wear it differently now than I did at eighteen or twenty-five or any of the years between. I'm more comfortable with it--more at ease with the notion that it's an accumulation of all the lives before this one. It is my history and my inheritance. It is the truest part of who I am. And the most terrifying--I imagine to others looking in, it is the most terrifying.

But only from the outside. Only when not understood. Because for me it is a sadness that simply is--that is so telling of what it is to be human and alive in this world.

But sometimes it is more immediate, closer to the surface.

And I'm okay with that. It's an altogether not-so-bad feeling, sadness.

I'm far less comfortable with the sense that every time I turn around I'm face-planting into a brick wall--that's a sensation far less bearable. And I keep wondering when this phase of my life in which I go out with girlfriends and end up crying as I attempt to explain that just-as-soon-as-I-think-I've-turned-a-corner-I'm-face-first-in-brick will end.

I'll take the sadness. It's the frustration and sense of failure and the nagging notion that I'll never be enough that I find altogether less than pleasurable--the math of too much somehow adding up to not enough. Too emotional, too honest, too demanding, too picky, too much of too many things. Altogether, not enough. Somehow, still, not enough

My mother said something recently that I can't stop thinking about. With great love she said, You're afraid that everyone will figure out you're a fraud. You're afraid that everyone who comes here to read these words--all the kind people with kind things to say, will somehow figure out that you are not worthy of what they say. And that's on you.

When what I'm really afraid of is that I am something that can only be loved in the dark--hidden and away. That to love me would be a shameful thing.

And what a terrible truth to hold.

That is part the-story-I-tell-myself-now and part the-story-told-to-me-by-every-man-I've-ever-cared-for. And it is the inheritance of the-next-man-who-undoes-me. That's the worst of it--that it is someone else's inheritance.

I'm damaged bad at best.


Just the other night there was a guy and he wasn't terribly kind and he delivered dig after dig and after a few minutes I realized he was flirting. Low on patience I turned to him and let him have it. And he, through slurred words born of early morning hours and too much booze and quite a bit of hurt said, I've been burned pretty bad--I've been hurt so badly by women. As though that both was explanation and reparation. And I looked right at him and said, You think you're the only person who's ever been hurt? You think you're standing here talking to a woman who hasn't felt that same sort of pain? I wasn't really insulted until just now, until this moment. So please, go ahead, let me have it, tell me your story because I can match you pace for pace on this one. I can match you with the half-lies and small cruelties and broken promises of all the men before you. I can match you with each and every man who's shown me just how easily that wedding band slips off. 

We're damaged bad at best.

I've never once said anything honest and true to a man I've cared for. I lost years of my life to loving a man and the closest I got to telling him was with seven words: I think you're a pretty fine guy.  Seven words when I only needed three. And a bit of courage.

But I am not a courageous person. And I'm damaged bad at best.

And I get to a point on those first dates when I think please don't let this man tell me I'm beautiful. Please don't let him reach for my knee. Please, please don't let his hand touch my hand because palm to palm is holy palmers' kiss--and hell, it really is my favorite part. Because should those things happen I'll begin to worry that he'll stumble upon that one thing that makes me unlovable. That one thing that I can't name and can't see and can't place, but I'm sure is there.

But there is a truth greater than the one I now comprehend.

There will be a person that will see the sadness right away and will know it's not so bad. There will be a person who will touch my knee and my hand, who will trace the outline of my curves and connect-the-dots of my moles and he will come up for air and say, I can't find it. That thing you're convinced that'll make me run--I can't find it. Or well, there's this here, and maybe it's scared men in the past, but that was their flaw, not yours. 

I am worthy of love. As is the boy who flirted so unkindly and fears he is not. We are all damaged bad at best. And we are all still worthy.

I don't know how we get over heartache, only that we do.

And the best and worst and truest and saddest thing that no one ever really talks about--there's always someone else. There will always be someone else--even if the best love we've ever known somehow, in some way--inexplicably falls apart.

The heart goes in search of love. Always it does. Even--and most especially--when we don't want it to. The heart never breaks--we call it heartache and heartbreak, but it is not the heart that is damaged. It is always new and unscarred and perfect and we wrap it in memories that are broken and fragmented and cutting and we confuse that with a damaged center from which to love.

And the war is a silent one. Fought on the home front. Between a heart that propels us forward and a body that doesn't think it'll survive another hurt.

There is no roadmap. Of when to fight. And when not to. Of when to look like a fool for love. And when you just look like a fool. No clear marker of the moment a love begins. Or when it doesn't.

I don't know how to get over heartache other than to really feel it--and let it run its course. We don't get to hurry it along.

And I certainly don't think it gets easier--only harder. Each one worse than that before. Which is one of life's small cruelties. The movement of each man from a maybe to a no has taken something from me. Has cut a path wide and deep through my core. Has added something to that wellspring of sadness.

But getting over it. Or not. Well, that's not the point. Continuing on, that is the point. Investing in one's worth. Believing in the face of overwhelming doubt. Radical hope--that is the point. Because that is what it is to be human. Because the heart is the human story and that. is. the. point.

this life, already wasted and still strewn with miracles. Small words that I read on one of the subway banners not too long ago--part of a poem by Mary Ruefle. Small and perfect words that emptied my body of all its air.

Already wasted and still strewn with miracles. Damaged bad at best and still worthy of love.

Better for the damage and the waste and all that damn sadness.

We love because we are human and it's the closest we get to divinity. And heartache or heartbreak or whatever you want to call it is part of that story. So we get over it by getting out of the way. And letting life happen. And acting courageously even when it's not in our nature.








That's what I got. That's all I got.





somewhere in the west village.

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I knew he wasn’t the right guy. He was just a boy. Sitting on the stool next to me, listening quietly as I mostly charmed myself. He wasn’t the right guy. But the way his tattoo peeked out from below his sleeve made me think: 

I. want. to. go. there. 

...

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"The only true currency in this bankrupt world is what we share with someone else when we're uncool."

Lester Bangs | Almost Famous 

WHAT I'M LISTENING TO | two sides of lonely {the lone bellow}

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I daresay I have the best girlfriends in the world, so when Kim sent me an email with this video this morning, I knew it'd be love before I even opened it.

And it was indeed.

ROUND THESE PARTS meets MY NEW YORK


i totally would.

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not terribly long ago--but just enough ago--i sat with a man at a bar.

i made him come to me. that's the thing about carroll gardens, now i make the men come here.

we sat and chatted and i felt lonely next to him.

carroll gardens is too quiet for me, he said. i could never live here.

good, we don't want you, was all i could think.

i'll take the quiet and i'll take carroll gardens and i'll leave you. 

i say now that the man will have to come and drag me from this place. me with my heels dug in, me so in love with this sleepy corner of brooklyn with it's superior food and late-afternoon-glow.

when my dark secret is that i'd chase the-right-one down to the ends of the earth. and when he asked me to leap from the flat edge of this world... i totally would.

how i take care of myself...

lady m.

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i'm older now than you were when we met.
and how old you seemed then.
but we knew so little, the two of us.

now i feel like you're just the out-out-damn'd-spot story of my life.
me, wringing my hands.
me, rubbing out a life--a love--that no one else knew was there.

but it's right here i want to say. here on these hands that were held by him--that touched him and traced him and scooped something out of him.
my hands are full of him, i want to say.

when the only thing they're full of now is my own uncertainty.
and no one needs to see that to know it is there.


too much.

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you liked him too much, my girlfriend said.

and immediately i recognized that as right. yes, too much. 

it was only later, crawling into bed, that i thought, what is too much? 

i liked him too much? what does that mean?



someday there will be a man. and he will feast on my too much. and then he will ask for more. and we will spend the rest of our lives feeding each other.

and it will be just enough.

ROUND THESE PARTS

what the aftermath of a night of insomnia looks like...

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this is such a particular time in my life. strange and a little lonely and such that when sleep finally pulls me under around 4:30 the sheets are wrinkled and i'm on my side of the bed, an open jar of peanut butter on the other. it won't always be like this, and i'm sure i'll miss those kinds of nights when they've morphed and gone altogether.

...

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"Come sleep with me: we won't make love. Love will make us."


Julio Cortazar 






(this may just be my favorite arrangement of words. ever.)

i want...

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i want art in the bathroom.

fresh flowers on fridays.

i want to light a birthday candle every morning just for that-smell-right-after-it's-been-blown-out.

i want the popped collar.

i want a lifetime of the-hand-on-the-thigh-in-that-way-that-doesn't-usually-survive-marriage.*

i want to be your two am secret. that little intake of air that rocks behind the lips like a horse at the start of a race.

i want the man who after hearing the whole of my story will ask, unprompted, what parts of your body did you hate the most? and then love them all the more.

i want to go to the beach. right now, i want to go. in the middle of this new york winter.

and i want to wear a bathing suit--a small one. just to attract the attention, just to feel those storied and much-talked-about long and withering glances. i want to lose days to the ocean. for the blue of the water to stain me, to wash me, to wrinkle and make a prune of me, and remind me that i'm deliciously human and capable of floating.

i want to make up for lost time.

and i want and i want and i want.

instagram.



similar posts...

the kind of woman i want to be.
i believe.
and
i believe (again).


*inspired  by a phrase written by the inestimable anna  quindlen

on Body Image--and why I write about it.

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It's National Eating Disorders Awareness Week (February 24-March 2). Because of that, there's some great literature on the internet this week, including this piece by Kate Fridkis which I read on Huff Post Women this morning and inspired me to write what follows...



I write about body image because "How can I know what I think until I see what I say."*

I write about body image because I hardly ever feel beautiful, but know that I am. 

I write about body image because beauty is an alienating thing--a terribly lonely thing--belonging not to the the person in possession of it, but to all those with the eyes to behold it.  

I write about body image because at the age of nineteen, heartbroken and homesick and absolutely out-of-my-depth, I learned what a calorie was. 

And I followed a false god home. 

I write about body image because it took five minutes in front of a mirror to reshape how I perceived my own body. Not thin, fat. 

Fat, now

I write about body image because the body is flesh and bones and tangible in a way that everything else is not. 

I write about body image because it's easier to think a man doesn't like me because-of-what-I-look-like than to hang in the gray space of the-infinite-uknonwn. But why, why doesn't he like me?

And I'm not good at the gray space.

I write about body image because body-image sometimes seems like a life-raft worth clinging to in the choppy waters of this impossible sea we call life.

It isn't.

I write about body image because for many, many years when I would feel too much, I would eat too much, just to sleep, a little. And then, to feel nothing, if only for a moment.

I write about body image because some days it is absolutely unbearable to live in my skin. And I think I cannot endure this sensation a moment longer. And I know it has nothing do with my physical body...yet it feels like it does. 

I write about body image because for a long time it was easier to hate my thighs and my hips than admit I really did not like myself.

I write about body image because it is the prism through which we, as women, see and talk about the world.

We talk about wanting to look this way or that way, when (I'm convinced), what we really want is love and acceptance and life-alteringly-good-things. (And appearance, for the most part, does not alter one's life--not in the big ways we always imagine it might. This, I know from experience).

I write about body image because it is the code by which we discuss things so large they scare us to say aloud.

I say I'm fat when what I really mean is I'm sad. And I berate the size of my thighs because that is easier than admitting I am untethered and adrift and totally lost at this point in my life--that notion is too big and too true and will surely make others uncomfortable, so I make it small...so small that it is about the size of my waist and the color of my hair and the awkward arrangement of moles on the left side of my face. 

I write about body image because before I can tell you just-why-it-is-I-really-don't-care-for-a-particular-woman (and sometimes, I really don't) I can say no less than five judgmental and evaluative things about what-she-looks-like. (Think about it, I bet you can do this too).

I find this both appalling and fascinating.

I write about body image because it shouldn't be a thing, but it is a thing, and more than that.. it points to THE-THINGS!(all the big and significant things that life is really and actually about and therefore difficult to break down into small, manageable pieces).

I write about body image because my eating disorder wasn't about what I looked like, even if for years I thought that it was. And so body image isn't really about what we look like, even if we continue to cling to the notion that it is.

I write about body image because I'm so much better now and so much happier and I still have a nearly impossible time having my photo taken...and what the hell, you know?





*E.M. Forster said this. And he's the coolest. 





almost every post i've ever written
about my struggle with an
eating disorder can be found

and my most recent one...on the inevitable end of the thing. 

waiting for morning.

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i used to think i couldn't sleep next to the men i cared about because i was afraid they'd leave.

it took some time to learn that i wasn't so much afraid they'd leave as utterly excited that they would stay, and night would turn to morning, and i'd wake to two coffees and a shared newspaper and a filled silence.

and it was that excitement that kept me from sleep, stretching the night forever in front of me.

so i'd lie there, eyes open, like a child, whispering,

wake up, wake up, i'm ready to play now. 

Trading in New York for Boston (just for the weekend).

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skiing at Killington in Vermont. cheering on UVA at Boston College. Tenacious D at House of Blues. late night at Chau Chow City (something to do only once...check it off your Boston bucket list and be done). 80's night dancing at 6B. and a Sunday morning brunch that saw about three or four different seatings.

I am going to need a few days off after this little getaway.

The thing is, every time I visit my brother in Boston...it gets harder to leave. Such a beautiful city, so much charm.

so many questions.

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here's the thing.

i want to know everything.

i want to know which side of the bed you sleep on when it's just you. and how you take your coffee--or your tea--or your oversized glass of orange juice. i want to study how your eyelashes cut the air when you look down and learn the movement of your fingers across the sunday times. i want to count the ways in which you laugh--to count the ways in which i can make you laugh. i want to know how old you were when you first felt the sting of heartache--were you seven, ten, twenty-one? what was her name? the color of her hair? what was the first lie you told? the last? tell me about the first time you made love--the color of the morning-after as it angled into the room, as it cut across her back. tell me your first great loss. your secret shame--the thing you think makes you damaged in that irreparable way. teach me how to undress you from across a room. teach me how to settle and silence your chaos. teach me to clear a space for you. always. let me love the cracked and dirty and fatally-flawed version of yourself. tell me if you believe in past lives and why. is there an image that feels older than yourself? i want to know what you cook and how you cook it and if you play a record while you do so. i want to know if there is a room in the apartment that is better for dancing than the others. tell me what you get from the corner store night after night. does the man behind the counter know your name?  i want to know if there is a color to your grief. is it a wooly overcoat heavy on your shoulders or a shadow that stands a perpetual ten feet back? i want to know what you're most afraid of--not what you say you're most afraid of, but what is too terrifying to even utter aloud.

i think you think i want too much. that i demand too much. that i...expect too much.

that you'll never be enough to fill the space of all my wants and needs.

and i want to shake you. tell you you were enough for me that first night we met. and you've been enough every day since.

it's not a question of enough or not enough. it's a question of wanting to know more. of wanting to sit with your hand on mine and have that be everything.
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